The Goose Is Loose in Brooklyn: Gus Dapperton Is Back on Stage

by Cheyenne Leitch

The Comeback Brooklyn’s Been Waiting For

After some time away from the spotlight, Gus Dapperton finally returned to the stage this weekend and it couldn’t have happened in a better place than Baby’s All Right. The Brooklyn venue was completely full for his first headline show since 2023, performed under his new moniker, Loose Goose.

Photo by Cheyenne Leitch

Watching Gus perform, you could see how much being back up there mattered to him. He has been open in the past about feeling lost when it came to music and making it. I think it’s safe to say he’s found his way back. 

It didn’t feel like a comeback designed for attention, it felt like someone reconnecting with something they truly love.

The Goose Takes the Stage

I’ve never seen Baby’s All Right so full of bodies. The room was packed, wall to wall, shoulder to shoulder, barely any space to move, but nobody cared. People were smiling, sweaty, and already yelling before the first note hit. The second Gus appeared, the whole place erupted.

He played a mix of Loose Goose tracks, both released and unreleased, all leaning into dance, funk, and house influences. The energy in the room matched the music; high, loud, and nonstop. Everyone was singing, jumping, and moving with him. Even though the crowd was crushed together, the mood was pure joy. It felt like everyone there had been waiting for this moment as much as Gus had.

Then came a surprise: a throwback to one of his classics, “Prune, You Talk Funny.” The second the guitar riff started, people screamed the lyrics back at him. It was one of those rare concert moments where the entire room becomes part of the song. For longtime fans, it was emotional to hear an old favorite in the middle of this new era. It made the night feel like a bridge between where Gus started and where he’s headed.

Sibling Magic

A little bit into his set, Gus brought out his sister Amadelle (Ruby Amadelle) to perform “All I Need.” The energy between them was immediate and natural. They danced, laughed, and sang like they were just having fun together; no pressure, no stiffness, just joy. Amadelle sounded incredible, her vocals steady and clear even as she moved and danced around the stage.

You could tell the moment grounded Gus. After she joined him, he seemed to relax and settle into the show even more. The rest of the set felt smoother, looser, and more confident. The crowd fed off it too, every song after that landed even harder.

A Room That Didn’t Want to Leave

As the show neared the end, the energy didn’t fade. If anything, it built. Every time Gus hinted that the night was wrapping up, the audience pushed back – chanting, cheering, and begging for more. Nobody wanted it to end. When he announced that there were only two songs left, fans were not happy about it, but also just happy to be hearing more music. 

It was one of those rare nights where the room felt like a community. Everyone, Gus included, seemed genuinely happy to be there. There wasn’t any sense of trying to prove something or put on a polished show. It just felt real.

Finding the Joy Again

This show wasn’t about reinvention as much as it was about reconnection. The Loose Goose project clearly gave Gus a way to create without overthinking, and you could see how much fun he was having. The beats hit harder, the crowd moved more, and his smile never really left his face.

The same things that have always made Gus stand out; his openness, his sense of melody, and his offbeat charm are still there. They’ve just evolved. You can feel that he’s not trying to be anything other than himself. After a few uncertain years, that seems to be exactly what fans wanted to see from him.

Photo by Cheyenne Leitch

It’s seriously such an achievement to come back after a few years and still have a strong following behind you. The crowd at Gus’ show proved that fans love the art that artists feel passionately about, not just the art that they think people want to consume. 

The show felt like a full-circle moment. After feeling lost and unsure, Gus is back on stage, creating, performing, and connecting again. And if the crowd at Baby’s All Right was any indication, people are more than ready to follow wherever the Goose goes next.

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